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If you are looking for a good horror movie to watch with your family this Halloween, try some of the 2010s releases. I'm going to discuss "The Babadook," "Get Out," "Train to Busan," and "ParaNorman." Each one of these films is worth a look, so let's get started. You will want to watch them all! But which one is your favorite? Read on to find out.

The Babadook

The Babadook is a horror movie from the decade of the 2000s, based on a cult film by the same name. It is a paranoiac tale of a young boy who is possessed by a boogeyman hiding inside a pop-up book. The Babadook feeds on the fear of the child and grows until it controls the child and his mother. The Babadook eventually reveals itself as a manifestation of the character's grief and anxiety.

Written and directed by Jennifer Kent, The Babadook is an unapologetic indie horror film that burst into the mainstream with a bang. It gained acclaim and became a symbol for the LGBTI+ community, while provoking some of the most vocal backlash of its decade. However, it succeeds in delivering a hauntingly effective film that's based on strong performances and well-earned tension.

A decade of horror movies brought new themes to the forefront. Children's trauma and racism were among the many topics explored, as were themes of child-eating monsters and apocalyptic apocalypse. While the genre has long been a fascinating and effective lens for exploring human fears, the decade of the 2010s has seen it reintegrate itself into the movietimestream and be embraced by new audiences.

Get Out

Jordan Peele's breakout hit, Get Out, is a brilliant film about racism and racial discrimination. It features Daniel Kahluuya and Nicolas Cage as black slaves, enslavement and forced self-betrayal. It is a masterpiece of creeping tension and perfectly executed scares, and it feels very contemporary in its time. Unlike Us, Get Out is a culturally relevant horror film, placing racial prejudice at the centre.

This decade also marked the birth of social media and the emergence of the Black Lives Matter and #MeToo movements. This new climate encouraged horror filmmakers to incorporate real-world struggles into their work. The Oscar-winning Get Out, for example, was a racially-charged, sex-driven commentary on racism. The decade also saw the release of a number of films dealing with the issues of sexual harassment and racism, and the emergence of a series of child-eating monsters.

The film also uses several slasher movie archetypes, such as "the virgin", "the fool," and "the athlete" to explore a modern-day pandemic. As in most pandemic movies, a group of young people are manipulated by bored bureaucrats into becoming guinea pigs, only to have their lives destroyed in a violent way. The movie is not a critique of horror movie audiences snickering at their unpredictability - it is a critique of a world that functions like a horror film - for the benefit of a few and the destruction of others.

Train to Busan

"Train to Busan" is a South Korean zombie film that breathes new life into the zombie genre. It is unlike any other zombie film, and it manages to blend the horror with human heart. This movie also examines the global refugee crisis. It may not be the most original zombie movie, but it packs an impressive punch. Despite its flaws, Train to Busan is a worthwhile horror movie to watch if you're looking for a genuinely scary zombie flick.

Korean filmmakers continued to make horror films for the decade, and "The Wailing" has received praise at Cannes. It tells the story of a small town wracked by an unknown illness, which spreads violently throughout the town. While there is no definitive answer to the origin of the disease, this film provides a compelling mystery and unnerving rituals, which give it a beautiful package.

The sequel to Train to Busan is a satirical spoof of the zombie genre. It's set four years after the events in the first film and continues the fight against the zombie outbreak. While many horror movies focus on a shambolic demon, Train to Busan is a good way to watch a zombie movie without having seen the original. If you enjoy this genre, you should definitely check out the sequel.

ParaNorman

"ParaNorman" is a stop-motion animated horror film produced by Laika and aimed at children. It's funny, but full of genuinely scary frights. The specter of death is always present, but the film manages to balance this with a wonderful blend of gallows humor and horror. This movie is a must-see for fans of both genres.

Despite the fact that it has many similarities to Coraline, "ParaNorman" is still a very unique film. While it shares a similar gothic aesthetic and macabre tone, the film is not a spoof. While the movie is based on a Stephen King novel, ParaNorman is far from that book's gloomy tone. Instead, it evokes the atmosphere of late twentieth century pulp horror. In particular, zombies are a key component of the film, which only came into popular culture since Night of the Living Dead.

Though it's not on par with The Goonies, "ParaNorman" is a solid family horror movie. The film's unique blend of humor and creepy visuals make it one of the best films of the decade. It's a film that children and adults alike will remember fondly. If you're looking for a new family movie this year, consider ParaNorman.

The Visit

Among the best horror movies of the 2010s, "The Visit" is an excellent choice. This film from Jordan Peele is one of the most culturally significant and breakout hits of the decade. Chris, an African American photographer, is about to meet the parents of his new white girlfriend Rose. Although they initially receive a warm welcome, underlying racial tensions become more apparent as the presence of a black helper increases the tension. As Chris continues to question the motive of his newfound family, he begins to realize that he is not as innocent as he thought he was.

Aside from the "Halloween" franchise, Blumhouse has also released several effective horror movies. It has also been a good decade for first-time directors. Blumhouse has had a great run with movies like "Oculus," "Hush," and "Origin of Evil." Other notable titles of the decade include Mark Duplass's Creep series and Michael Crichton's Hush. The filmmakers are consistently experimenting with their genres, and "The Visit" is no exception.

While the early 2000s were a great time for horror movies, the decade saw the arrival of the "elevated" subgenre. Initially, these movies aimed to transcend the visceral to the existential. The term "elevated horror" was coined to signify this transition. While cosmic horror has never been the sole domain of horror filmmakers, the 2010s have focused on integrating new voices into the film-making timestream.

Cheap Thrills

"Cheap Thrills" isn't a horror movie by any stretch, but the subject matter is horrifyingly real. A similar concept was explored in Would You Rather, but the latter was more theatrical and less believable. The film has a more grounded tone and offers an interesting insight into how American culture has gotten so obsessed with the grisly. However, it isn't without its flaws.

The film's title refers to a box of cash that Vince finds at the bottom of the ocean. It is this box that holds the money that causes the men's fear. Vince and Craig are both men who fear that they are less than men. Craig's wife probably understands the situation, but she isn't allowed to get involved. While Vince is a loan chaser, Craig is an unlucky savior.

Another movie with cheap thrills is "The Witcher 3," which features four short films directed by women. It also uses a framing device, allowing the audience to see both men and women. It was a Sundance hit, but it's a hit or miss. While many critics think that "Cheap Thrills" isn't as effective as the genre's other films, it's worth a look to see.