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The term femme fatale comes from the Webster dictionary, which defines her as a seductive woman who lures men into dangerous situations and creates trouble. Hollywood has capitalized on this fetish for seduction and has become an instrument of widespread promotion for the femme fatale. They are seductive and dangerous women who break men's hearts and have made them their object of desire. The famous quote by Brittany "flaunt it if you got it" has been echoed by women ever since.
One of the most famous femme fatale characters in film history is the bisexual mystery writer, Catherine Tramell. She is under investigation for murder and becomes a femme fatale in the process. Tramell's sexual wiles compel the authorities to pursue her, but her motives remain ambiguous. Her relationship with detective Nick Curran keeps the investigator blinded by the desire to catch her. Ultimately, she gets away with her crimes.
The concept of the femme fatale has endured the ages. "Basic Instinct" from 1992 features Michael Douglas as a cop investigating a murder and his frequent lover. The film also stars Sharon Stone as a female thief. "Basic Instinct" is another classic example of a femme fatale. This movie was directed by Brian de Palma and features Antonio Banderas and Peter Coyote.
The 1992 film Basic Instinct also features Tramell. The nefarious woman kills a man who was in love with her. The film's original release date of 1992 makes the actress' character a young woman of the sixties. Her character was also born in 1960, although the official website gives her age as 1968. She studied psychology and literature at the UC Berkeley. In the sequel, she is paired with a troubled British psychologist named Michael Glass.
Often the femme fatale embodies the role of a housewife or a mistress who manipulates men to do her dirty work. She will often use sex to make a man do her dirty work for her. Although she may get her hands bloodied, she would prefer to outsource the dirty work to someone else. The femme fatale is a character that has earned her title and reputation for her sheer deviousness.
As a woman, Norma was a compelling and fascinating antagonist for many films. Her character was vulnerable, but she had an element of mystery, as a result she was an easy target for exploitation films. She is a classic femme fatale, as she manipulates Joe through perceived pity and threats to commit suicide or harm someone. She is an extremely compelling antagonist due to her deep seated beliefs that her actions are justified.
There are a variety of other female femme fatales in movies, but the most recognizable and well known is probably Catherine McGrath. The actress has become a staple in pop culture due to her role in Basic Instinct. While Norma is notorious for her murderous ways, other femme fatale movies feature Sharon Stone and her charisma. These films have a lot in common, but what makes them so compelling?
Noir-style films also feature femme fatales who challenge the usual standards. Usually, a femme fatale character is evil and damaged morally. Her power and influence over her male counterpart is often the basis for her downfall. Margaret is a different kind of femme fatale, bringing a more positive spin on the genre. A strong female character is often the key to solving the mystery. If you love classic noir movies, you'll love these films!
The femme fatale character is often an enticing, dangerous woman who lures her male partner into dangerous situations. As such, they are often the storyline of a noir film and have become a staple of Hollywood. While the most famous femme fatale in film history is Norma Desmond, the story of her life was never as chilling. And there are many more iconic femme fatale characters in films, so you're bound to find a favorite.
As one of the most famous femme fatales of the 20th century, Jane Greer is a familiar face in the world of Hollywood films. Born in Washington D.C. in 1924, she is an actress, singer, and writer. She was nominated for an Academy Award for her role in Mogambo, a romantic adventure film starring Clark Gable and Grace Kelly. Though she played many different types of roles in her career, she was most famous for her role as a femme fatale. In fact, Ava Gardner was a real-life femme fatale. She even wrote a posthumous memoir about her life as a femme fatale. She talks about trying to kill Howard Hughes, who was deaf in one ear.
As Norma, the femme fatale is a sad and out-of-touch old woman who has fallen victim to the industrial shift from silent films to sound. She is tragically out of touch with society and is constantly sent fake fan mail by her butler. The only thing that makes her seem human is her desire to fulfill her ambitions. As a result, she is often cast as a tragic figure, and Jane Greer's performance as Norma proves that women can have sexual intercourse even in their middle-aged years.
The film is a dark comedy with some Gothic elements. Greer's character, Ellen, has a cold, ruthless side that is typical of a femme fatale. Although she embodies traits that are traditionally male in her time, she doesn't want a nuclear family and prefers to live in the dark, gloomy side of life. In fact, Greer herself has a cold, calculating streak that makes her a femme fatale, despite being an actress.
Phyllis Dietrichson is one of the earliest femme fatales in American cinema. She made her movie debut in 1944's crime thriller Double Indemnity, based on the novel by James L. Cain. The character was ruthless and calculating, but she was also a charming, affable housewife who lacked self-confidence.
Phyllis Dietrichson has been playing such a role for decades in femme fatale films that her character, Walter, has become almost an icon. In "The Woman Who Died," she is stuck in a loveless marriage to a man she met through a mutual friend, a seasoned insurance claims adjuster named Robinson. Walter is an admirer of Phyllis, but his attraction to her is so intense that he agrees to the murder, despite his own hesitations.
Despite her iconic status, the femme fatale remains far from the woman we know today. As a character, she is driven by something that resembles a sex-driven individual, and her actions and attitudes often defy social norms. As a result, she is dangerous, and one day, she may be free of men altogether. However, this role is still a little bit cartoonish.
Phyllis Dietrichson is a perfect example of a femme fatale. The role of a femme fatale has evolved from its origins in the Victorian era. In the 1940s, femme fatale roles were often about women seeking freedom from an abusive husband. Today, these female characters are more about ambitious career women. Sigourney Weaver's role as "Working Girl" shows this shift.
One of the first women to play the femme fatale role was Barbara Stanwyck, who earned her fourth Oscar nomination for the film "Stella Dallas." The movie stars the iconic actress as a working-class woman who marries a millionaire. She is the daughter of a former beau, who has left his wife to re-build his fortune. The film is a harsh commentary on midlife crisis and the need to make love while still young.
Phyllis, the first of the six infamous femme fatales, was played by the legendary Barbara Stanwyck in Casablanca. This movie has the most notorious femme fatale in film history, and Stanwyck carries the torch for decades with the role. As an insurance saleswoman, she seduces a man who ends up being the fall guy. In the 1973 remake, Samantha Eggar plays the role of Phyllis.
Although Stanwyck's role as a femme fatale proved to be a difficult role for her to play, the actress remained humble while accepting her awards. Despite her renowned reputation, she suffered from numerous health problems, including emphysema and COPD. Her death occurred at the age of 82, and she asked for cremation. Her ashes were scattered over Lone Pine, CA.
The Bitter Tea of General Yen is a classic Capra film. Stanwyck plays a young missionary trapped inside the pleasure dome of a Chinese warlord. In another movie, "The Lady Eve," Stanwyck plays a con woman who feels regret after falling for her con. The film is one of the best of the American romantic comedies. But it isn't just women who play femme fatales. Those aspiring to be an actress will surely appreciate this classic film.